Public Art

-
Last class got me thinking, when I graduate and move back to Virginia, in what ways other than in my home will I continue my arts practice? So I started looking up opportunities within the state. I found the Virginia Commission for the Arts that lists an unbelievable amount of information. They list all of the local art agencies, public art foundations, funding opportunities, and artist opportunities outside of public art. They also have information on how to write grants and advice on how to win commissions. I took a lot of interest in funding, I found that the Virginia Museum of Fine Arts has a fellowship that I can apply for while in school. I would need to apply for the graduate, but it awards $6,000. I will be looking into this website much more.

Comments

Post a Comment

Popular posts from this blog

Sarasota Public Art Requirement

-
When I was doing my research for my public art paper, I learned that Ellipsota by Robert Chambers was created thanks to the Sarasota Public art requirement that I found very interesting. Any property owner or developer who applies to the city for a building permit for construction or improvements that will cost more than $250,000 in downtown Sarasota has to make a public art contribution. I think this is a very interesting way to support artists and to keep art active in a popular community space. I can't help but wonder though if in any way this has contributed to the state of the installation as it was rather deteriorated or whether it was just normal wear and tear since it has been up for over ten years. Maybe it's so deteriorated because the company doesn't take care of it.
Read more

Blood Antiquities

-
Seeing all of the older artworks at the Ringling Museum and talking about preservation made my mind go off on a tangent to the social responsibility of preserving artworks in places like Iraq and Syria. I read an academic journal about blood antiquities where collectors around the world purchase these historic pieces often without official papers. ISIS and other organizations have started stealing pieces from war torn area’s museums and digging up protected archaeological sites to sell the work for funding. The dilemma that presents itself is do collectors buy these artifacts with the goal of preserving the heritage, or do they leave them where they have a high chance of being destroyed?   What I found is Art Association for Museum Directors (AAMD) created the AAMD Protocols for Safe Havens for Works of Cultural Significance from Countries in Crisis. Owners can request a participating museum to hold the material until it can be returned to the institutions or governme...
Read more